English novels/ popular novels _ Far From The Madding Crowd _ plot construction
Far
From The Madding Crowd
Thomas Hardy:
On June 2, 1840, Thomas Hardy was born in the lonely
and silent hamlet of Higher Bockhampton, Dorsetshire situated in few miles away
from the town of Dorchestor. Thomas Hardy was a Fragile Child.
Plot
construction of the Novel:
Thomas Hardy’s novels are masterpieces of
constructive skill. His plots are generally closely knit and brilliantly
constructed. Hardy’s early training as an architect enables him to build the
plots of his novels in a skilful manner.
Hardy’s stories have an arresting beginning, a swift movement, a satisfying climax and an effective ending. There are, in them, no incidents or characters which are for their own sake. This is to say, every incident, in them, carries the story forward and every character serves a definite purpose.
Hardy’s plots deal with elements
passions, love, hate, anger, jealousy, thirst of knowledge and hunger for
respectability. In the Return of the
Native as well as Far From the Madding ‘crowd the plot is built round an erotic
situation of a rather complicated nature.
In Far From The Madding Crowd, Oak and Boldwood love Bathsheba who loves
‘troy who has been previously loving Fanny Robin.
Hardy’s plots are mechanically
constructed. They lack sometimes, the elements of naturalness and
spontaneity. They seem to have been
built in a very calculating and deliberate manner.
Far From The Madding Crowd has a
well-constructed plot. This novel is one
of Hardy’s five great stories. Duffin calls
it “Hardy‘s first masterpiece”. The
plot is built round an erotic situation.
The central character, Bathsheba Everdene, is loved by three men Oak, Boldwood
and Troy.
Chance plays a considerable part
in this novel. It is a malevolent chance
that renders Oak penniless when his dog drives all his sheep down a precipice. It is chance again which sends Fanny Robin to
the wrong church on the day of her marriage.
Troy enters Bathsheba’s life by a sheer chance. Similarly the Valentine sent by Bathsheba to
Boldwood, by a chance, kindles a flame in Boldwood in which he is ultimately consumed.
“Thomas Hardy’s plots” according
to a well-known critic, “are self-supporting organic holes. Every novel is an answer to the question, given
certain characters in certain situations, and allowing the irony of fate what
will happen what will become of them?”
v His training as an architect in early life enables
Hardy to construct his plots skilfully.
v There are no characters or incidents in his novels
that are for their own sake.
v His novels have a swift movement, a satisfying
climax, and an effective ending.
v His novels contain admirable love-stories. Generally in them, we have one woman loved by
two or three men or one man loved by two or three women.
v Chance plays a get part in his novels.
v Hardy’s plots deal with elemental passions like
loves, jealousy, greed, thirst for learning or hunger for respectability.
v Hardy’s plots are perfectly, eve mechanically,
constructed.
v Far From The Madding Crowd has a closely knit and brilliantly
constructed plot.
v In this novel one woman, Bathsheba Everdene, is
loved by three men Oak, Boldwood and Troy.
v Hardy makes a considerable use of ‘chance’ in Far
From The Madding Crowd.
v
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